Manuscriptassessment
I assess your whole draft
A Manuscript Assessment evaluates how the story elements (pacing, character, tension, theme, worldbuilding etc.) work together at a structural level. After a thorough analytical read of the whole draft, I'll provide a detailed editorial letter (minimum six pages) identifying what's working, and what could be improved.
This is the right service if:
- you've got a complete (or nearly complete) draft and you want objective, high-level feedback before diving back into it
- you aren't ready for (or don't want) the line markup of a developmental edit, but still want the shape of your story analysed because something feels uneven or unfocused and you need to understand why
Right for
people who:
How it works
Enquiry, initial brief, optional intro call
Fill out the form and let me know about your project. Share the manuscript, along with your goals and concerns. A 15-minute free intro call and a sample assessment of the first 1,500 words and synopsis are both optional but recommended.
Close reading & full analysis
I'll perform a thorough, analytical reading to assess all the narrative elements at a structural level, identifying strengths and points of potential improvement. I'll do at least two passes through your manuscript during this step.
Editorial letter & optional follow-up call
I'll send you my editorial letter (minimum six pages) covering all the strengths and points of potential improvement, along with some recommendations for what your revision might look like. If you want to go through the feedback together once you've had a look through, we can organise another video call.
Every part of your story
A Manuscript Assessment reads your whole draft and reports on each of these. Open any one to see what I look for.
How the whole story is built, and whether its shape holds up from the opening to the ending.
Whether events follow with cause and effect.
Whether your characters stay consistent and their arcs are set up and paid off.
Whether there's enough pressure on the page, and the stakes feel real and personal.
Scene-level rhythm, and plot-wide pacing, so your story never drags or rushes past the important moments.
What your story is really about, and whether every element is working to fulfil this theme.
Whether the rules and details of your world stay coherent, grounded and consistent.
Whether the point of view is controlled, and the narrative voice stays distinct and steady.
Whether scenes open and close in the right place, and each one deserves its space.
Whether dialogue sounds true, reveals character, and carries subtext.
What's working beneath the surface, and where it could be doing more.
Sample
assessment
Before committing to a full assessment, send through up to 1,500 words from the very start of your manuscript and a synopsis of your whole story, and I'll send back a sample so you can see if my analytical style is right for you. No cost and no commitment.
Get StartedPayment plans
Every assessment is priced to your manuscript, so get in touch with your word count and I'll send a quote. Sample assessments preferred.
Pay in full
Single transfer on agreement, no instalments.
Two-instalment plan
Split the cost across two equal fortnightly payments.
Four-instalment plan
Split the cost across four equal fortnightly payments.
Six-instalment plan
Split the cost across six equal fortnightly payments.
Common
questions
A detailed editorial letter, usually at least six pages, based on a close read of your whole manuscript. I look at how the big structural pieces fit together (structure, pacing, character, tension, theme, worldbuilding and so on), and set out what's working, what's not, and why. The goal is to give you a clear strategy of what to work on next. There's an optional call afterwards if you want to talk any of it through.
Both are thorough reads that evaluate all of the big elements: structure, pacing, character, worldbuilding, whether the story is doing what you want it to, etc.
A Manuscript Assessment only provides an editorial letter, while Developmental Editing also has comments written throughout the manuscript so you can see how the feedback applies to exact points on the page. An assessment is usually enough if you just want big-picture direction, but if you want detailed advice on revising your story structure closely, Developmental Editing is the choice.
It depends on the length of your manuscript and how much is booked in at the time, but I aim to get your manuscript back to you within two to four weeks, and you'll have a confirmed delivery date before you commit. If you're working to a deadline, tell me early and I'll let you know whether it's doable.
It can, though not directly. An assessment will give you an honest evaluation on where the manuscript is strong and where it still needs work. Most people get an assessment to guide their revision to get the book into the best shape they can before they start submitting.
Yes! If there's something you already know you're worried about, let me know when you book and I'll pay particular attention to it. I'll still read and report on the whole manuscript, but I can weight things towards what matters most to you. You know better than anybody what you want your story to feel like, so if there's something you already know isn't working, that gives us a great point to start.
Completely. Everything you send stays between us. It's never shared, never published, and never put into any AI tool. Your work and your ideas are yours, and they stay that way.
Ideally, yes. An assessment works best on a complete draft, because a lot of what I'm looking at is how the whole thing holds together from beginning to end. If your manuscript is still in progress, or you're earlier in the process, Story Consulting is usually the better fit, since it's built for work that's still taking shape.
Yes, especially if you're going it alone. Self-publishing means there's no agent or publisher giving the manuscript an editorial read, so an assessment is a way to get that honest outside perspective before you release it. I'll tell you where the story is working and where it still needs attention. Just remember it's structural feedback rather than a final proofread, so it sits earlier in the process than copyediting or formatting.
Not the right fit?
Story consulting
Big-picture thinking for complex storytelling. Designed to help you improve your story at any stage. A flexible, high-level discussion about the story elements that aren't working yet, including character, plot, worldbuilding, and pacing.
Read moreDevelopmental editing
Rebuild your story from the inside out. The most comprehensive service I offer. A thorough evaluation of your manuscript, examining every element of your story at every structural level with in-manuscript comments and a detailed editorial letter.
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